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King
Midas by Nathanial Hathorne
Film
Adaptions |
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Nathanial Hawthorne,
remains a key figure in American literature as well
as one of
R.W. Emerson most successful apostles.He adapted
many fanciful tales for children from classical mythology
including King Midas. His tales usually have a
strong moral theme which will still ring true and
fresh today.
Stories organize our worlds:
Share this story
soon with a child close to you |
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Now the tale of King Midas and his golden touch
is charmingly retold with full-color
illustrations and key sentences shown in
American Sign Language (ASL). |
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Statuette of Midas,
Terracotta, h: 95 cm
Gordion Museum of Anatolian Civilizations,
Ankara |
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Midas, his
cart & Alexander the Great
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During the reign of
Gordios, an oracle foretold that a poor man who
would enter Gordion by ox cart would one day rule
over the Phrygians.
As the king and nobles were discussing this
prediction, a farmer named Midas arrived at the city
in his cart Gordios, who had no heirs, saw this as
the fulfillment of the prophecy and named Midas his
successor. Subsequently Midas had his cart placed in
the temple of Cybele on the Gordion acropolis, where
it was to stand for half a millennium, Somehow the
belief arose that whoever untied the knot that fixed
the cart to its yoke would become master of Asia.
During his stay in the city Alexander the Great took
it upon himself to undo the knot,severing it with
his sword. |
"Men know
they are sexual exiles.
They wander the
earth seeking satisfaction, craving and
despising, never content.
There is nothing in
that anguished motion for women to envy.
Camille
Paglia
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Mardi Midas
New Orleans is famous for the world's most
hedonistic Carnaval, a trait also associated with
King Midas.
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King Midas is
a key character in the two of the most enduring stories of
Bacchus
or
Dionysus as well as
being the figure best associated with the Carnaval
virtue of knowing thyself through hedonism.
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Midas' kingdom is Phrygia, which together with
neighboring Thrace formed the land bridge
between Europe and the rest of the ancient
world. These important regions of
prehistory are referenced in the
stories as the birthplace of both Dionysus and
Orpheus as well as Cybele. |
His
historic kingdom of also references the important cultural
relationship this inland mountainous region of Asia Minor in
today's Turkey played in the formation of Dionysian theatre
and music.
The people of
Çatalhöyük
(pronounced cha-tal
hoy-ook;
Catal Huyuk
) in
the area of this region near Crete are credited with
creating history's first city about 7,000 BCE.
It was the Great Mother, Cybele,
as the Greeks and Romans knew Her, who was originally
worshiped in the mountains of Phrygia where she
was called the Mountain Mother. Cybele is also the Phrygian
who cures Dionysus of his madness induced by Hera through
purification after he emerges from the garden surrounding
Mount Nysa where he was raised. The Phrygians also
venerated Sabazios, the sky and father god depicted on
horseback. Though the Greeks associated Sabazios with Zeus,
representations of him,
even into Roman times, show him as a horseman god.

Phrygia
developed an advanced Bronze Age culture. The earliest
traditions of Greek music, derived from Phrygia and
transmitted through the Greek colonies in Asia Minor,
included the Phrygian mode, considered the warlike mode in
ancient Greek music. And Phrygian Midas, the king of the
"golden touch," was tutored in music by
Orpheus
himself, according to the myth. Another musical invention
that came from Phrygia was the aulos, a reed instument with
two pipes.
Marsyas,
the satyr who first formed the instrument using the hollowed
antler of a stag, was a Phrygian follower of Cybele. He
unwisely competed in music with Olympian Apollo, and
inevitably lost. Whereupon Apollo flayed Marsyas alive and
provocatively hung his skin on Cybele's own sacred tree, a
pine. Marsyas is sometimes identified with the Arkadian god
Pan,
to whom the story of the musical contest with Apollo is
often transferred.

We should take care
when asking God for anything, as we often get what we ask
for.
Take warning from the tale of King Midas, who thought
himself wise. |
The Midas
Touch:
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Once,
Dionysus found his old school master and foster father,
Silenus, missing. The old man had been drinking, and had
wandered away drunk, and was found by some peasants, who
carried him to their king, Midas (alternatively, he passed
out in Midas' rose garden). Midas recognized him, and
treated him hospitably, entertaining him for ten days and
nights with politeness, while Silenus entertained Midas and
his friends with stories and songs. On the eleventh day he
brought Silenus back to Dionysus. Dionysus offered Midas his
choice of whatever reward he wanted.
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Midas with Dionysus
[click to enlarge] |
"Make everything I touch turn to gold!"
quoth Midas. Dionysus consented, though was
sorry that he had not made a better choice.
Midas rejoiced in his new power, which he
hastened to put to the test. He touched and
turned to gold an oak twig and a stone. Overjoyed, as soon as he got home,
he ordered the servants to set a feast on the table. Then he
found that his bread, meat, and wine turned to
gold. Next he touched his daughter, and she also turned to
gold, breaking his heart.
Upset, Midas strove to divest himself of his power (the
Midas Touch); he hated the gift he had coveted. He prayed to
Dionysus, begging to be delivered from starvation.
Dionysus took
pity on him and realized Midas wanted to let go
of his greed. Dionysus told Midas to wash in the river Pactolus. He did so, and when he touched the waters the
power passed into them, and the river sands changed into
gold. To this day you can see flakes of gold in the
Gediz Nehri near Kütahya. |
ears

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Now Midas was fond of the satyr Pan, who played
beautiful music on his pipes, and Pan had
challenged Apollo to a music contest with King
Midas as judge. The King Midas awarded the prize
to Apollo's lyre-playing rather than Pan for the
music of his pipes. Midas made no secret of his
opinion that Pan was the better musician. In
anger, Apollo changed the king's ears to those
of an ass.
Humiliated, Midas took to wearing the Phrygian
hat - a kind of stocking cap - pulled down over
his ears. Only his barber knew the truth, and he
had been sworn to secrecy. But the knowledge got
to be more than the gossipy old barber could
contain. So he went out into the country, dug a
hole in a solitary place, whispered the secret
into the hole, and then covered it up much
relieved. But the following spring reeds and
grasses grew on the spot where the barber had
planted his secret, and the wind whispering
through them told the secret over and over
again:
Midas has ass's ears,
Midas has ass's ears,
Midas has ass's ears.
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"King Midas has an ass's ears." visit our
Pan
page to learn more about the music contest with
Apollo |
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Historically Midas was king of a Thracian tribe called the Brigians, who may have been descendants of the
Mushki, a Pontic people who had moved to Thrace
[today's Bulgaria],
then moved to western and central Anatolia [Turkey
today] and
became known as the Phrygians. The Phrygian kingdom
flourished under Midas from about 725 BC to 675 BC.
Some information about his reign survives in
Assyrian records where he is known as Mitas of
Mushki, who paid tribute to the Assyrians after
being defeated in battle by them. The Greek
historian Herodotus describes how he dedicated his
throne at the Delphic shrine of Apollo and married
the daughter of one of the Ionian kings.
According to local legend, he was the son of
Gordius, a poor countryman, who was taken by the
people and made king, in obedience to the command of
the oracle. The Oracle said, according to the myth,
that their future king should come in a wagon. While
the people were deliberating, Gordius with his wife
and son came driving in his wagon into the public
square.
In Greco-Roman mythology he was King of
Pessinus, a city in Phrygia in Asia Minor, who as a
child was adopted by Gordias and Cybele. He was
known for being a hedonist, and an excellent rose
gardener. |
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King
Midas by James Gillray (17561815) at
nypl.org |
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Phrygian Cap: Phrygia retained
a separate cultural identity. Classical Greek
iconography identifies the
Trojan Paris as
non-Greek by his Phrygian cap.
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Mithras
shown with Phrygian cap, Mithras was the diety
favored by Rome till Christianity won the day and
many of his December 25th holiday customs or those
of the
Saturnalia
still survive in today's Christmas. However many
other traditions, such as role reversal between
master and slave, were allowed room to vent later in
the early spring at Carnaval
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The
Phrygian cap was worn
during the Roman Empire by former slaves who had
been emancipated by their master and whose
descendants were therefore considered citizens of
the Empire which is why it likely survived into
modern imagery as the "Liberty cap" of the American
and French revolutionaries. |
HEDONISM
the Philosophy born in Greece
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Hedonsim (Greek,
hdonh,
"pleasure"), in philosophy, the doctrine that
pleasure is the sole or chief good in life and that
the pursuit of it is the ideal aim of conduct.
Two important hedonistic theories were expounded in
ancient Greece. Egotistic hedonists or the
Cyrenaics, espoused a doctrine that the
rational end of conduct for each individual is the
Maximum of his own Happiness or Pleasure. Knowledge
is rooted in the fleeting sensations of the moment,
and it is secondary to attempt a system of moral
values which weighs the desirability of present
pleasures is weighed against the pain they may cause
in the future. Unlike the Epicureans, or
rational hedonists, who contended that the
true pleasure is attainable only by reason for
transient pleasures cannot satisfy, and that the
predominance of self-love tends to defeat its own
end. They stressed the virtues of self-control and
prudence. |
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